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Some great quotes: Thinking is natural, and thoughts are likely to be present in every aspect of our lives: sometimes we pay attention to our thoughts, and sometimes we ignore them and change the subject. By understanding both of these voices, it is easier to simply block out self 1 and focus on self 2, thus creating better results.Self 1 includes not only our own thoughts, but also whatever we have picked up from our teacher’s instructions, the hints our friends give us, our parents’ hopes and desires, and our own urge to fulfill or reject those expectations. As a performer sometimes it is very hard to not be nervous and be able to focus to your potential.
Those who feel unhappy often attribute their problems to a loss of personal identity or to boredom. While it is sometimes useful to have the 'Inner Game' techniques spelled out in musical concepts, I have found that 'the Inner Game of Tennis', which I am currently reading, is generally more useful in spelling out concepts.This book is a mix of both, but it's still important to have the complete idea of the "Inner Game" technique in order to know when to use it, and when to simply let go. Don't borrow it, don't check it out from the library. It appears that it has some very sound advice for musicians, but since I'm not a real musician, I cannot tell whether this is true or not. I learned about the Inner Game from a friend of mine and I've been wanting to read more about it for a while. To keep it short and sweet, I found the analogies and connections from sports to music a little far fetched, and it didn't keep me interested.You need to own it, mark it up, put bookmarks in it, know it all. I was not that interested in The Inner Game of Tenis, since I don't play tenis. Boredom is what I feel when I don’t feel sufficiently challenged by what I’m doing. There was too many mathematical equations as to how this plus that would equal doodl I actually did not even finish this book. However, while many of the concepts the book gives are excellent, I found the writing patronising and long-winded. Which are: not trusting own abilities, muscle tension, balancing awareness and focus, and inefficient practice habits. But you should skim through parts that you feel are irrelevant This was accidentally given to me by my viola instructor after being recommended as a way to improve my performing skills.The book provides a comprehensive analysis on what helps / hinders our musical growth. But like even the most sophisticated computer, it needs to be programmed “a bit at a time.”Green, Barry (2012-03-11). Intuition is key, and we can enjoy and create much more fluidly if we allow ourselves to follow those deeper feelings without letting logic destroy the moment.
As a musician early on in the development, I find some advices extremely valuable. Nevertheless, I felt the book was mostly appropriate for professional musicians, and not so much amateurs or begi Self 2 freedom from self 1 discipline I really enjoyed this book and its discussion of self 1, with all of its doubts and fears, and self 2, the uninhibited part of us that we need to allow to take over in difficult situations.
There are many tips on how to increase will (set clear goals), trust (build up confidence and focus) and awareness (connect with emotions and memory). The challenge of the Inner Game is for you to bypass the critical interference of Self 1 and unleash the natural power and grace of Self 2. Thus, rather than just reading the book you can put the tools to practice and remember them easier. There were simple to understand and made a big difference in my music playing.
It’s a book worth re-read as I continue on music practice. The book describes a self 1- the voice in your head that is always criticizing your playing and is telling you what's wrong, and a self 2- the voice that is motivating and helpful.
By the best-selling co-author of Inner Tennis, here's a book designed to help musicians overcome obstacles, help improve concentration, and reduce nervousness, allowing them to reach new levels of performing excellence and musical artistry. Every musician, every music student, and specifically every music teacher, should not only read it, but own it for future references. Many of the exercises in 'the Inner GThis was accidentally given to me by my viola instructor after being recommended as a way to improve my performing skills.
There are so many great tips and ideas, and ways to both play music and teach it that get better long term results. However, while many of the concepts the book gives are excellent, I found the writing patronising and long-winded.
In this particular example, you create a better feedback loop between what you're doing and what you're hearing, which is purported to be more effective than focusing on trying. I did appreciate the memories of the sound recording devices of the 80's.