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Sexcam a robot

Sexcam a robot-78

Originally conceived as part of a larger series of actions they were planning, Moletress performed a workshop of “Trigger Warnings and Various Attempts” at Highways Performance Space in Santa Monica, CA.Their aim was to play with the space between mediated space and live performance.

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There’s a great bit of cheekiness to it, too, which is fantastic.” If you want to get in on the action and can’t drop by live at Fusebox, get your handle and login to Cam4.Fear not, intrepid Internet traveller, we have a few pointers to help you spot those pesky porn bots before they spam your email account and empty your bank account.For those of you who never learned the lesson that if something is too good to be true, then it probably is, we're here to remind you that the only time you get propositioned by attractive women on the Internet is in your dreams.Now entering its fourth year, Free Range Art roams again this week in Texas, and in addition to gallery works, multi-disciplinary performances, and concerts, Fusebox continues its tradition of tapping a dizzying array of digital, interactive, virtual reality, immersive, and play-based artists from Austin and around the world. “Trigger Warnings and Various Attempts” is a 20-hour gallery installation in which Moletress performs inside an amateur sex cam chat room, Cam4, which allows users from around the world to interact with Moletress in real time.John Moletress isn’t a sex worker, but they play one on T. A live audience watches the performance, while also viewing a big screen monitor of the webcam performance.They wondered what would happen if they made the festival free for all attendees.

Through a series of grants, sponsorships, and individual donations, the plan was to try it for three years and see how it went.

They’ll gauge how their body responds to the reading, as they monitor the chat room.

“I was starting to think about how these hierarchies of productivity and power were working in art making and using theater as a reference point,” Moletress says, “and then thinking about ‘Where does the autonomy of art making and the body exist within that structure? Performed repeatedly from regional to community to university theaters, Moletress calls it a “beaten text.” They wanted to explore the concept of who really owns their work in the production. “So I was thinking about that in terms of sex work,” says Moletress, “and thinking how sex work has had this path from being a sort of street, locational type of labor, and then that sort of going away and sex work moving into these online platforms that are facilitated by websites and chat rooms. Because sex work usually was thought about being managed by a pimp as moved into this entrepreneurship, whereby sex work is very individual, so people manage themselves and their clientele and how they do their labor and make money via their own profiles and websites without all that other ‘manager’ if you will.” People tune in by tuning into Cam4. Search for “awildthing,” and that will direct audiences to the performance.

This is Moletress’ first foray into online cam performance.

They spent many hours as a voyeur on Cam4 and observed how people interacted with performers and playing into the idea of productivity.

And in talking about that event, we were joking that we should get some restaurant buzzers because that would be easy to call people back when it was their turn.