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It’s been a much debated subject for years now, but what are the barriers that seem to be preventing, or disinclining, young people from going to classical music concerts?Even a casual glance across the rows of seating at a typical symphony concert will yield the truth of the matter.

The authors, Lucy Dearn from the University of Sheffield’s Performer and Audience Research Centre, and Stephanie Pitts from its Department of Music, came up with interesting results.They found that most of the participants, even including those who were studying music at university level, experienced difficulty in identifying with the music emotionally, and with the concert experience as a whole.They concluded: “While some respondents were pleasantly surprised by their enjoyment or impressed by the performers, most remained fairly fixed in their views, and it would clearly take more than one concert to begin to assimilate classical music listening within their established musical identities.” The main obstacles that prevent them enjoying the concerts were “the emotional pace of the music”, the length of concerts they attended, and “the restrained behaviour of other audience members, which was interpreted by some as being indicative of a lack of emotional engagement”.That conclusion is consistent with the argument made by some scholars that the migration of anatomically modern humans out of Africa and adjacent areas of Southwest Asia to South and Southeast Asia along the so-called Southern Route predated migration to Europe.Other scholars question the earlier dating of human arrival in Australia, which is based on the use of optically stimulated luminescence (measurement of the last time the sand in question was exposed to sunlight), because the Northern Territory sites are in areas of termite activity, which can displace artifacts downward to older levels.Perhaps the thing we call ‘classical music’ is itself also changing in the hands of young people.

Perhaps they are listening to no less of it but in ways that are more relevant to them, through movies and computer games.

Archaeological evidence suggests that occupation of the interior of Australia by Aboriginal peoples during the harsh climatic regime of the last glacial maximum (between 30,000 and 18,000 years ago) was highly dynamic, and all arid landscapes were permanently occupied only roughly 10,000 years ago.

The , a type of wild dog, appeared in Australia only 5,000 to 3,000 years ago, which postdates the time that Aboriginal people began hafting small stone implements into composite tools some 8,000 years ago.

In either case, the first settlement would have occurred during an era of lowered sea levels, when there were more-coextensive land bridges between Asia and Australia.

Watercraft must have been used for some passages, however, such as those between and Greater Australia, because they entail distances greater than 120 miles (200 km).

Children and young adults are conspicuous by their absence, and this is despite the strenuous efforts of the creative and marketing teams behind our orchestras to acquire new audiences. Numerous reasons have been put forward, including how concerts in their traditional format are too long to suit the listening preferences of younger generations, ticket prices are too expensive, and the formal, sit-in-silence atmosphere inside concert halls is too stifling.